In "Roots and Beginnings" a variation on Sauron's theme is duly noted, followed closely by suspenseful music (when Smeagul murders his friend for the ring). Interestingly, we open with a calmer footnote than The Two Towers began. I admit that I was one of them, but now I am a believer that Howard Shore has written the finest music for a trilogy since Star Wars and one John Williams. And of course musically Howard Shore gives you his last answer to all you fans out there, to all you people that thought he wasn't able to give this epic tale this epic answer. It is how complete editions should treat their fans. The entire music of the expanded editions, the score on a separate DVD audio for your ultimate listening pleasure and a booklet covering too much info and detail to swallow all at once. And so favorite moments of some were lost, only to resurface on the edition that would tear down Sauron once and for all.Ĭonsisting of 4 CD's instead of 3, The Return of the King is a mammoth edition covering all the right bonuses of the previous two. However one CD wasn't able to capture that, one soundtrack couldn't deliver this arsenal of climaxes due to the simple fact most of the music still needed to be recorded, or expanded. And so this album felt more interesting and better because the music was about to show all that through notes, motifs, themes, finales. ![]() It is the conclusion that captured all our hearts and made it a legendary never to forget experience, both visually and musically. ![]() The epic finale, the magical conclusion, the final battle between good and evil, the moment when finally everybody showed what they were made of. When it was announced that complete editions would be released of the LOTR saga, one name stood out as the most interesting one of the three, namely The Return of the King.
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